NUCLEAR FAMILY 19769
THE
MAGICALALPHABET
..................
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THE RAINBOW LIGHT |
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3 |
THE |
33 |
15 |
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7 |
RAINBOW |
82 |
37 |
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5 |
LIGHT |
56 |
29 |
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171 |
81 |
9 |
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1+4 |
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1+5 |
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1+7+1 |
8+1 |
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THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
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1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
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Reduce to Deduce |
1+8 |
- |
- |
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Essence of Number |
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THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
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- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
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- |
- |
- |
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1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
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Essence of Number |
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9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
P |
= |
7 |
- |
5 |
POWER |
77 |
32 |
5 |
F |
= |
6 |
- |
6 |
FAILED |
37 |
28 |
1 |
H |
= |
8 |
- |
4 |
HIGH |
32 |
32 |
5 |
F |
= |
6 |
- |
7 |
FANTASY |
86 |
23 |
5 |
H |
= |
8 |
- |
4 |
HERE |
36 |
27 |
9 |
Y |
= |
7 |
- |
3 |
YET |
50 |
14 |
5 |
S |
= |
1 |
- |
5 |
SWIFT |
77 |
23 |
5 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
M |
= |
4 |
- |
4 |
MOVE |
55 |
19 |
1 |
- |
- |
49 |
- |
40 |
First Total |
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- |
- |
4+9 |
- |
4+0 |
Add to Reduce |
4+8+5 |
2+0+6 |
4+4 |
Q |
- |
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- |
4 |
Second Total |
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- |
- |
1+3 |
- |
- |
Reduce to Deduce |
1+7 |
- |
- |
- |
- |
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- |
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Essence of Number |
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E |
= |
5 |
- |
4 |
EVEN |
46 |
19 |
1 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
W |
= |
5 |
- |
5 |
WHEEL |
53 |
26 |
8 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
E |
= |
5 |
- |
5 |
EQUAL |
56 |
20 |
2 |
F |
= |
6 |
- |
4 |
FREE |
34 |
25 |
7 |
F |
= |
6 |
- |
4 |
FROM |
52 |
25 |
7 |
J |
= |
1 |
- |
4 |
JARS |
48 |
12 |
3 |
- |
- |
34 |
- |
34 |
First Total |
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- |
- |
3+4 |
- |
3+4 |
Add to Reduce |
3+8+4 |
1+5+0 |
3+3 |
Q |
- |
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- |
7 |
Second Total |
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- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
- |
- |
- |
- |
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- |
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Essence of Number |
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A |
= |
1 |
- |
7 |
ALREADY |
66 |
30 |
3 |
M |
= |
4 |
- |
2 |
MY |
38 |
11 |
2 |
H |
= |
8 |
- |
5 |
HEART |
52 |
25 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
W |
= |
5 |
- |
4 |
WILL |
56 |
20 |
2 |
W |
= |
5 |
- |
4 |
WERE |
51 |
24 |
7 |
W |
= |
5 |
- |
7 |
WHEELED |
62 |
35 |
8 |
B |
= |
2 |
- |
2 |
BY |
27 |
9 |
9 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
- |
- |
34 |
- |
38 |
First Total |
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- |
- |
3+4 |
- |
3+8 |
Add to Reduce |
4+2+5 |
1+8+2 |
4+7 |
Q |
- |
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- |
11 |
Second Total |
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- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
- |
- |
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- |
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Essence of Number |
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T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
3 |
SUN |
54 |
9 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
5 |
OTHER |
66 |
30 |
3 |
S |
= |
1 |
- |
5 |
STARS |
77 |
14 |
5 |
- |
- |
22 |
- |
35 |
First Total |
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- |
- |
2+2 |
- |
3+5 |
Add to Reduce |
4+5+9 |
1+4+4 |
4+5 |
Q |
- |
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- |
8 |
Second Total |
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- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
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- |
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Essence of Number |
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3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
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5 |
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18 |
18 |
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2 |
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35 |
8 |
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3 |
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25 |
7 |
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4 |
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5 |
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76 |
22 |
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4 |
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48 |
21 |
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6 |
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55 |
28 |
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2 |
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2 |
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27 |
9 |
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9 |
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10 |
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133 |
61 |
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10 |
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121 |
49 |
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9 |
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2 |
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23 |
14 |
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1 |
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9 |
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65 |
29 |
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First Total |
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3+5 |
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5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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1+4 |
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1+8 |
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Second Total |
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1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
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Essence of Number |
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26 |
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I |
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R |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
= |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
= |
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1+1+5 |
= |
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= |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
= |
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8+3 |
= |
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1+1 |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
= |
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2+3+6 |
= |
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1+1 |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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= |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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= |
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= |
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26 |
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+5 |
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+8 |
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7 |
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7 |
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7 |
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+ |
= |
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occurs |
x |
3 |
= |
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2+1 |
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8 |
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8 |
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8 |
+ |
= |
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occurs |
x |
3 |
= |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
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1+8 |
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26 |
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I |
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|
|
|
|
|
|
|
|
|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
I
SAY
GODS I ME I GODS
REAL REALITY REVEALED REALITY REAL
AND WOULD IT HAVE BEEN WORTH IT AFTER ALL, WHEN ALL IS SAID AND DONE, TO DENY A GOD INSPIRED MAGICIAN. THE SCATTERING OF BLESSED STAR STARRY STARDUST UPON AND AROUND THE MINDS I MINDS EYE. I ASK YOU, O DEAR GOOD AND TRUSTED FRIENDS, TO ACCEPT THESE EXALTED NAMES AS GODS HOLY ACCOLADES, ACCORDED OF GODS CREATORS. AND I HUMBLY REQUEST YOU TO PLEASE ALLOW ME, WITH KINDLY GOOD GRACE, AND AN UNDERSTANDING CREATIVE VISION. THE ODD LIGHT TOUCHES OF FAIRY STAR DUST. SUCH WORDS OF POWER AS ARE IMPORTANT TO THE GREAT WORK, AND DAVID IS OBLIGATED TO THE SYMBOLICAL MARKING OF THESE MAGICALLLY ESOTERIC, AND MYSTERIOUS WORDS OF POWER MANIFESTING FORTH FROM OUT THE IN OF ETERNAL MIND. MIRACULOUSLY BIRTHED OF THE GREAT COSMIC MOTHER. THE BE ALL AND END ALL OF EVERYTHING. THE HE AS IN SHE THAT IS ALWAYS FATHER TO THE THOUGHT. IN HOMAGE TO THAT. GODS EVER AND FOREVER LIVING CONSCIOUSNESS. THE PERFECT SUBLIME CREATIVE EXPRESSION OF THE DIVINE. THAT THAT THAT, HOLY, WHOLLY HOLY, ISISIS. BELOVED, WE ARE LIVING WITHIN THE MYTH OF MYTHS THE STORY OF THE PHYSICAL, OF MIND, AND SPIRIT. IN SACRED RECOGNITION OF KARMAS GLORIOUSLY MAGIC MIND. ACKNOWLEDGING ONCE AND FOR ALL SWEET ALCHERINGA, GODS HOLY DREAM TIME. THAT FECUND FERTILE MEMORY STORE FROM OUT THE IN OF WHICH IS KNIT THE SUM OF EVERLASTING LIFE. O DREAMER OF DREAMS, READ DEAR, READ THE MYTH OF N THE EVERLASTING NOW. ALL IS NOT WHAT IT SEEMS. DEPENDS ON YOUR I ME STATE OF MIND. THE SEE OF THE SELF THAT FEELS.
ADVENT 999 ADVEN
A |
= |
1 |
- |
ABCDEFGHI |
J |
= |
1 |
- |
JKLMNOPQR |
S |
= |
1 |
- |
STUVWXYZ |
|
|
|
|
|
|
|
|
1 |
|
B |
= |
2 |
2 |
BE |
|
|
|
3 |
|
D |
= |
4 |
4 |
DE |
|
|
|
5 |
|
|
|
|
6 |
|
|
|
|
7 |
|
|
|
|
8 |
|
I |
= |
9 |
9 |
I |
|
|
|
10 |
|
K |
= |
2 |
11 |
KA |
|
|
|
12 |
|
M |
= |
4 |
13 |
EM |
|
|
|
14 |
|
|
|
|
15 |
|
|
|
|
16 |
|
|
|
|
17 |
|
R |
= |
9 |
18 |
R |
|
|
|
19 |
|
T |
= |
2 |
20 |
TE |
|
|
|
21 |
|
V |
= |
4 |
22 |
VE |
|
|
|
23 |
|
|
|
|
24 |
|
|
|
|
25 |
|
|
|
|
26 |
|
|
|
126 |
|
|
- |
- |
1+2+6 |
- |
ABCDEFGHI |
- |
- |
|
- |
JKLMNOPQR |
- |
- |
|
- |
STUVWXYZ |
- |
- |
|
- |
ADD TO REDUCE |
- |
- |
|
- |
REDUCE TO DEDUCE |
- |
- |
|
- |
ESSENCE OF NUMBER |
THERE ARE MORE LETTERS OF THE LETTER E IN THE ABOVE VERSION THAN ENOUGH
SEEN THIS WAY ROUND 19 IN ALL
NINETEEN 59552555 NINETEEN
WELL I NEVER DID YOU EVER
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Onomatopoeia (also onomatopeia in American English), is the process of creating a word that phonetically imitates, resembles, or suggests the sound that it describes. Such a word itself is also called an onomatopoeia. Common onomatopoeias include animal noises such as "oink", "meow" (or "miaow"), "roar" and "chirp".
Onomatopoeia - Wikipedia
https://en.wikipedia.org › wiki › Onomatopoeia
Onomatopoeia[note 1] (also onomatopeia in American English), is the process of creating a word that phonetically imitates, resembles, or suggests the sound that it describes. Such a word itself is also called an onomatopoeia. Common onomatopoeias include animal noises such as "oink", "meow" (or "miaow"), "roar" and "chirp". Onomatopoeia can differ between languages: it conforms to some extent to the broader linguistic system;[6][7] hence the sound of a clock may be expressed as "tick tock" in English, "tic tac" in Spanish and Italian (shown in the picture), "di da" in Mandarin, "katchin katchin" in Japanese, or "tik-tik" in Hindi.
Although in the English language the term onomatopoeia means 'the imitation of a sound', the compound word onomatopoeia (???µat?p???a) in the Greek language means 'making or creating names'. For words that imitate sounds, the term ???µ?µ?t??? (echomimetico) or echomimetic) is used. The word ???µ?µ?t??? (echomimetico) derives from "???", meaning 'echo' or 'sound', and "µ?µ?t???", meaning 'mimetic' or 'imitating'.
6 |
OSIRIS |
89 |
35 |
8 |
4 |
ISIS |
56 |
20 |
2 |
3 |
SET |
44 |
8 |
8 |
13 |
Add to Reduce |
189 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+8 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
81 |
27 |
|
|
|
|
|
|
|
|
45 |
18 |
|
8 |
|
99 |
36 |
9 |
--
RE GODS NAME GODS
RE AS IN THREE IS IS THREE AS IN RE
1 |
|
9 |
9 |
9 |
2 |
|
18 |
9 |
9 |
2 |
|
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
3 |
EYE |
35 |
17 |
8 |
4 |
EYES |
54 |
18 |
9 |
5 |
SIGHT |
63 |
36 |
9 |
3 |
SUN |
54 |
9 |
9 |
4 |
BALL |
27 |
9 |
9 |
5 |
ROUND |
72 |
27 |
9 |
4 |
HOOP |
54 |
27 |
9 |
4 |
ORBS |
54 |
18 |
9 |
7 |
BUBBLES |
63 |
18 |
9 |
7 |
SPHERES |
90 |
36 |
9 |
7 |
SPHERES |
90 |
36 |
9 |
4 |
ORBS |
54 |
18 |
9 |
7 |
BUBBLES |
63 |
18 |
9 |
5 |
ROUND |
72 |
27 |
9 |
4 |
BALL |
27 |
9 |
9 |
4 |
HOOP |
54 |
27 |
9 |
3 |
SUN |
54 |
9 |
9 |
7 |
JUPITER |
99 |
36 |
9 |
5 |
WORLD |
72 |
27 |
9 |
11 |
SAGITTARIUS |
144 |
45 |
9 |
4 |
GAIA |
18 |
9 |
9 |
3 |
TAO |
36 |
9 |
9 |
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
IVE |
36 |
18 |
9 |
3 |
EGO |
27 |
18 |
9 |
10 |
CONSCIENCE |
90 |
45 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
7 |
THOUGHT |
99 |
36 |
9 |
6 |
SORROW |
108 |
36 |
9 |
4 |
LOVE |
54 |
18 |
9 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
7 |
LETTERS |
99 |
27 |
9 |
|
HIEROGLYPHIC |
135 |
81 |
9 |
|
GLYPHICS |
99 |
45 |
9 |
- |
HORUS |
- |
- |
- |
- |
H+O |
23 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
U+S |
40 |
13 |
4 |
5 |
|
81 |
27 |
18 |
- |
- |
1+8 |
1+8 |
1+8 |
5 |
|
9 |
9 |
9 |
-
|
PTAH |
- |
- |
- |
- |
P+T |
36 |
9 |
9 |
- |
A+H |
9 |
9 |
9 |
- |
PTAH |
45 |
18 |
18 |
- |
- |
4+5 |
1+8 |
1+8 |
4 |
|
9 |
9 |
9 |
-
|
9+1+8 RAH 8+1+9 |
27 |
18 |
9 |
- |
1+2+3+4 ATUM 4+3+2+1 |
10 |
10 |
1 |
- |
- |
- |
- |
- |
11 |
NOTHINGNESS |
144 |
54 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
NUN |
49 |
13 |
4 |
4 |
NONE |
48 |
21 |
3 |
- |
- |
- |
- |
- |
10 |
NAMES OF GOD |
99 |
36 |
9 |
7 |
THOUGHT |
99 |
36 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
12 |
|
999 |
999 |
999 |
ADVENT 2219 ADVENT
AVATAR 9 AVATAR
11 |
THE ADVENT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ADVENT |
66 |
21 |
|
9 |
THE ADVENT |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
9 |
THE ADVENT |
9 |
9 |
9 |
11 |
WEATHER |
- |
- |
- |
|
W |
23 |
5 |
|
|
EARTH |
52 |
25 |
|
1 |
E |
5 |
5 |
|
7 |
WEATHER |
80 |
43 |
16 |
11 |
- |
1+6 |
4+3 |
1+6 |
|
WEATHER |
7 |
7 |
7 |
10 |
SON OF
WOMAN |
- |
- |
- |
|
SON |
48 |
21 |
|
|
OF |
21 |
12 |
|
|
WOMAN |
66 |
21 |
|
10 |
SON OF WOMAN |
135 |
54 |
9 |
1+0 |
- |
1+3+5 |
5+4 |
- |
1 |
SON OF WOMAN |
9 |
9 |
9 |
BLESSED BE THE FRUIT OF THAT WOMBS FOETUS
8 |
SON OF
MAN |
- |
- |
- |
|
SON |
48 |
21 |
|
|
OF |
21 |
12 |
|
|
MAN |
28 |
10 |
|
8 |
SON OF MAN |
97 |
43 |
7 |
- |
- |
9+7 |
4+3 |
- |
8 |
SON
OF MAN |
16 |
7 |
7 |
- |
- |
1+6 |
- |
- |
8 |
SON OF MAN |
7 |
7 |
7 |
11 |
THIRTYTHREE |
- |
- |
- |
|
THIRTY |
100 |
37 |
|
|
THREE |
56 |
29 |
|
11 |
THIRTYTHREE |
156 |
66 |
3 |
- |
- |
1+5+6 |
6+6 |
- |
11 |
THIRTYTHREE |
12 |
12 |
3 |
- |
- |
1+2 |
1+2 |
- |
11 |
THIRTYTHREE |
3 |
3 |
3 |
I AM THE OPPOSITE OF
THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE
AM I
I
ALWAYS
AM
114 |
NINENINETYNINE
|
171 |
81 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
36 |
First
Total |
378 |
216 |
54 |
3+6 |
Add
to Reduce |
3+7+8 |
2+1+6 |
5+4 |
9 |
Second
Total |
18 |
9 |
9 |
- |
Reduce
tio Deduce |
1+8 |
- |
- |
9 |
Essence
of Number |
9 |
9 |
9 |
11 |
THE
STAR GATE |
- |
- |
- |
|
THE |
33 |
15 |
|
|
STAR |
58 |
13 |
|
4 |
GATE |
33 |
15 |
|
11 |
THE
STAR GATE |
124 |
43 |
16 |
1+1 |
- |
1+2+4 |
4+3 |
1+6 |
2 |
THE
STAR GATE |
7 |
7 |
7 |
15 |
THE
RAINBOW LIGHT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
THE
RAINBOW LIGHT |
171 |
81 |
9 |
1+5 |
- |
1+7+1 |
8+1 |
- |
6 |
THE
RAINBOW LIGHT |
9 |
9 |
3 |
GREETINGS
CHILD
OF
THE
RAINBOW
|
ENTERS |
81 |
36 |
|
|
THE |
33 |
15 |
|
|
GOLDEN |
57 |
30 |
|
|
CHILD |
36 |
27 |
|
20 |
- |
207 |
108 |
27 |
2+0 |
- |
2+0+7 |
1+0+8 |
2+7 |
2 |
- |
9 |
9 |
3 |
THE
HOURS OF HORUS
THAT I OF THAT
I OF THAT I THAT
I
AM
SALUTES
THE
ALMIGHTY
THAT
IS
THEE
PEACE BE UNTO YOU
GOODWILL UNTO ALL SENTIENT
BEINGS
SO U LIVE
SO U LEARN
SO U LOVE
SOUL
CREATION REACTION CREATION
REACTION CREATION REACTION
CREATORS REACTORS CREATORS
REACTORS CREATORS REACTORS
SOUL
SO U LIVE
SO U LEARN
SO U LOVE
Lord of the Dance
I danced in the morning
When the world was begun,
And I danced in the moon
And the stars and the sun,
And I came down from heaven
And I danced on the earth,
At Bethlehem
I had my birth.
Songwriters: Ronan Hardiman
https://www.youtube.com/results?search_query=lord+of+the+dance+dubliners
FRATERNAL GREETINGS GREETINGS FRATERNAL
OF
PEACE AND LOVE AND LOVE AND PEACE
ALWAYS
UNTO
ALL SENTIENT BEINGS BEINGS SENTIENT ALL
Forum > Lyrics > Lord Of The Dance. > Lord Of The Dance. Sydney Carter. I danced in the morning when the world was young I danced in the moon and the stars ...
celtic-lyrics.com/forum/index.
I danced in the morning when the world was young
I danced in the moon and the stars and the sun
I came down from heaven and I danced on the earth
At Bethlehem I had my birth
Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he
I danced for the scribes and the Pharisees
They wouldn't dance, they wouldn't follow me
I danced for the fishermen James and John
They came with me so the dance went on
Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he
I danced on the Sabbath and I cured the lame
The holy people said it was a shame
They ripped, they stripped, they hung me high
Left me there on the cross to die
Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he
I danced on a Friday when the world turned black
It's hard to dance with the devil on your back
They buried my body, they thought I was gone
But I am the dance, and the dance goes on
Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he
They cut me down and I leapt up high
I am the life that will never, never die
I'll live in you if you'll live in me
I am the Lord of the dance, said he
Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he
I
AM THE DANCE AND THE DANCE GOES ON
ALWAYS
|
|
|
|
11 |
JESUS CHRIST |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
JESUS |
74 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
CHRIST |
77 |
41 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
JESUS CHRIST |
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
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1 |
1 |
|
10 |
1 |
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2 |
1 |
|
5 |
5 |
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3 |
1 |
|
19 |
10 |
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4 |
1 |
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21 |
3 |
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5 |
1 |
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19 |
10 |
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|
11 |
|
5 |
|
74 |
29 |
11 |
|
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6 |
1 |
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3 |
3 |
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7 |
1 |
|
8 |
8 |
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8 |
1 |
|
18 |
9 |
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9 |
1 |
|
9 |
9 |
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|
10 |
1 |
|
19 |
10 |
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11 |
1 |
|
20 |
2 |
|
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|
32 |
|
6 |
|
77 |
41 |
32 |
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|
JESUS CHRIST |
|
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|
1+8 |
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|
5 |
JESUS |
74 |
29 |
2 |
|
|
|
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6 |
CHRIST |
77 |
41 |
5 |
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|
11 |
JESUS CHRIST |
|
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|
1+1 |
|
1+5+1 |
7+0 |
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2 |
JESUS CHRIST |
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11 |
JESUS CHRIST |
|
- |
- |
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|
5 |
JESUS |
74 |
29 |
2 |
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|
6 |
CHRIST |
77 |
41 |
5 |
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11 |
JESUS CHRIST |
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1 |
1 |
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10 |
1 |
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2 |
1 |
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5 |
5 |
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3 |
1 |
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19 |
10 |
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4 |
1 |
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21 |
3 |
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5 |
1 |
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19 |
10 |
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6 |
1 |
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3 |
3 |
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7 |
1 |
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8 |
8 |
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8 |
1 |
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18 |
9 |
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9 |
1 |
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9 |
9 |
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10 |
1 |
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19 |
10 |
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11 |
1 |
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20 |
2 |
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JESUS CHRIST |
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1+8 |
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5 |
JESUS |
74 |
29 |
2 |
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6 |
CHRIST |
77 |
41 |
5 |
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11 |
JESUS CHRIST |
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1+1 |
|
1+5+1 |
7+0 |
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2 |
JESUS CHRIST |
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11 |
JESUS CHRIST |
|
- |
- |
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|
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|
5 |
JESUS |
74 |
29 |
2 |
|
|
|
|
|
|
|
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|
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|
|
|
|
6 |
CHRIST |
77 |
41 |
5 |
|
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11 |
JESUS CHRIST |
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1 |
1 |
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10 |
1 |
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3 |
1 |
|
19 |
10 |
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5 |
1 |
|
19 |
10 |
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10 |
1 |
|
19 |
10 |
|
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11 |
1 |
|
20 |
2 |
|
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|
4 |
1 |
|
21 |
3 |
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6 |
1 |
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3 |
3 |
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2 |
1 |
|
5 |
5 |
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7 |
1 |
|
8 |
8 |
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|
8 |
1 |
|
18 |
9 |
|
|
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|
9 |
1 |
|
9 |
9 |
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JESUS CHRIST |
|
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|
1+8 |
|
|
|
|
5 |
JESUS |
74 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
CHRIST |
77 |
41 |
5 |
|
|
|
|
|
|
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|
|
|
|
|
|
|
11 |
JESUS CHRIST |
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
1+1 |
|
1+5+1 |
7+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
JESUS CHRIST |
|
|
|
|
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|
|
11 |
JESUS CHRIST |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
5 |
JESUS |
74 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
6 |
CHRIST |
77 |
41 |
5 |
|
|
|
|
|
|
|
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|
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|
11 |
JESUS CHRIST |
|
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|
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1 |
1 |
|
10 |
1 |
|
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|
3 |
1 |
|
19 |
10 |
|
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|
5 |
1 |
|
19 |
10 |
|
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10 |
1 |
|
19 |
10 |
|
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11 |
1 |
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20 |
2 |
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4 |
1 |
|
21 |
3 |
|
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6 |
1 |
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3 |
3 |
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2 |
1 |
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5 |
5 |
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7 |
1 |
|
8 |
8 |
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|
8 |
1 |
|
18 |
9 |
|
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9 |
1 |
|
9 |
9 |
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JESUS CHRIST |
|
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|
|
|
|
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|
1+8 |
|
|
|
|
5 |
JESUS |
74 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
6 |
CHRIST |
77 |
41 |
5 |
|
|
|
|
|
|
|
|
|
|
|
11 |
JESUS CHRIST |
|
|
|
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|
1+1 |
|
1+5+1 |
7+0 |
|
|
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2 |
JESUS CHRIST |
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JESUS CHRIST
C-HR-IS-T
C HERE IS THE RISH
SEE HERE IS THE RISH
THE
SAPTARSHI
A STARSHIP SAPTARSHI A PAST RISH
SAPTARSHI
JESUS AND THE GODDESS
THE SECRET TEACHINGS OF THE ORIGINAL CHRISTIANS
Page 203
The one moving surface of /page 204/ the water represents universal psyche. Individual psyches are the individual waves. We are unique movements on the shared still depths of Consciousness.
THE EVOLVING COSMOS
To know itself the Mystery arises as the primal syzygy subject and object - which results in partial Gnosis and partial ignorance. As subjective Consciousness it knows its Self, but as psyche it mistakes its self for its many objective self-images.47 As a continuation of the initial impulse towards self-knowledge, that part of Consciousness which has become identified with each psyche-body is in the process of completing the journey of Gnosis by progressively awakening to its true nature.
We can understand this fundamental duality by seeing how it manifests in each of us. We appear to be an evolving psyche-body on a journey of awakening, but our essential nature is ineffable Consciousness. Knowing our essential nature is the realization of Gnosis, because as Consciousness we already exist permanently in the state of Gnosis. Whilst we identify with the psyche-body, however, we experience only relative states of ignorance.
Plato describes these two states as 'being' and 'becoming'.48 Consciousness is being. We experience this as the sense of I AM. It is unchanging, qualityless presence, It is what we area Psyche, on the other is- what we experience. It is an unfolding succession of changing appearances. It is impermanence. It is perpetually in the process of becoming something else. The Mystery as Consciousness is being what it is. Consciousness witnesses itself as a psyche-body in the process of becoming /page 204/ aware of what is. We are witnessing becoming.
- |
- |
- |
- |
- |
MEA CULPA |
- |
- |
- |
M |
= |
4 |
- |
3 |
MEA |
19 |
10 |
1 |
C |
= |
3 |
- |
5 |
CULPA |
53 |
26 |
8 |
- |
- |
7 |
- |
8 |
-MEA CULPA |
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- |
- |
- |
- |
- |
- |
7+2 |
3+6 |
|
- |
- |
7 |
- |
8 |
MEA CULPA- |
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|
"The virgin will conceive and give birth to a son, and they will call him Immanuel" (which means "God with us"). “Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us).
Matthew 1:23 "The virgin will conceive and give birth to a ...
biblehub.com/matthew/1-23.htm
The Meaning of Immanuel, God with Us
www.orlutheran.com/html/immanuel.html
And this very special Christmas name, as Matthew tells us, means "God with us." Jesus Christ is Immanuel, "God with us," and I'd like to share why this is so ...
Matthew 1:23 "The virgin will conceive and give birth to a ...
matthew/1-23.
“Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us). New American Standard Bible "BEHOLD ...
Christ Emmanuel or God with Us - Grace Gems!
www.gracegems.org/W/e1.htm
"They shall call His name Emmanuel, which being interpreted is, God with us. ... give birth to a son, and they will call him Immanuel– which means, 'God with us.
Isaiah 7:14 Explained - Immanuel God With Us
www.bibleanswerstand.org/immanuel.htm
This study is aimed at finding the true meaning of Immanuel in Isaiah 7:14. ... texts for the deity of Jesus Christ because of the words, “Immanuel,” (God with us).
Why wasn't Jesus named Immanuel? - GotQuestions.org
www.gotquestions.org/Immanuel-Jesus.html
by S. Michael Houdmann - Jesus was God making His dwelling among us (John 1:1,14). No, Jesus' name was not Immanuel, but Jesus was the meaning of Immanuel, "God with us.
Words Around "Emmanuel" in the English Dictionary
"The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption."
GOD WITH US AND US WITH GOD
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G |
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7 |
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3 |
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26 |
17 |
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W |
= |
5 |
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4 |
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60 |
24 |
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U |
= |
3 |
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2 |
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40 |
4 |
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1+5 |
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Add to Reduce |
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Reduce to Deduce |
1+2+6 |
4+5 |
1+8 |
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Essence of Number |
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= |
7 |
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1 |
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7 |
7 |
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= |
6 |
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1 |
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15 |
6 |
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= |
4 |
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1 |
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4 |
4 |
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= |
5 |
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1 |
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23 |
5 |
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= |
9 |
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1 |
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9 |
9 |
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= |
2 |
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1 |
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20 |
2 |
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= |
8 |
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1 |
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8 |
8 |
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= |
3 |
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1 |
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21 |
3 |
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= |
1 |
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1 |
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19 |
10 |
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GOD WITH US |
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4+5 |
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1+2+6 |
5+4 |
4+5 |
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GOD WITH US |
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TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
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- |
- |
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= |
5 |
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1 |
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19 |
10 |
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= |
7 |
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1 |
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20 |
2 |
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= |
3 |
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1 |
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21 |
3 |
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|
|
= |
7 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US 123456789 987654321 US WITH GOD
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
3+2 |
Add to Reduce |
2+9+7 |
1+8+9 |
3+6 |
|
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Add to Reduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US
G |
= |
7 |
|
3 |
|
26 |
17 |
|
H |
= |
8 |
|
4 |
|
41 |
23 |
|
U |
= |
3 |
|
2 |
|
40 |
13 |
|
|
|
18 |
|
|
Add to Reduce |
|
|
|
|
|
1+5 |
|
|
Reduce to Deduce |
1+0+7 |
5+3 |
1+7 |
|
|
|
|
|
Essence of Number |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
7 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
8 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US |
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
4+4 |
|
|
|
1+0+7 |
5+3 |
4+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
7 |
1 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
3 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
4 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
6 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
7 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
8 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US |
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
4+4 |
|
|
|
1+0+7 |
5+3 |
4+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US |
|
|
|
|
|
|
|
|
|
|
|
|
|
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
1 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US |
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
4+4 |
|
|
|
1+0+7 |
5+3 |
4+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
= |
1 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US |
|
|
|
|
|
|
|
|
|
14 |
|
|
|
4+4 |
|
|
|
1+0+7 |
5+3 |
4+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD HELP US |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
45 |
27 |
|
1 |
|
9 |
9 |
|
5 |
|
54 |
27 |
|
|
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+0+8 |
6+3 |
2+7 |
|
Essence of Number |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
7 |
1 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
3 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
9 |
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
4 |
6 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
9 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GODS I VOICE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+4 |
|
1+0 |
|
1+0+8 |
6+3 |
2+7 |
|
|
|
|
|
|
1+2 |
|
|
1+8 |
|
|
|
|
|
GODS I VOICE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
7 |
1 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
3 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
9 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GODS I VOICE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+4 |
|
1+0 |
|
1+0+8 |
6+3 |
2+7 |
|
|
|
|
|
|
1+2 |
|
|
1+8 |
|
|
|
|
|
GODS I VOICE |
|
|
|
|
|
|
|
|
|
|
|
|
|
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
1 |
4 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
9 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
3 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
1 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GODS I VOICE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+4 |
|
1+0 |
|
1+0+8 |
6+3 |
2+7 |
|
|
|
|
|
|
1+2 |
|
|
1+8 |
|
|
|
|
|
GODS I VOICE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
- |
- |
|
|
= |
1 |
4 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
= |
3 |
9 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
= |
4 |
3 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
6 |
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
= |
7 |
1 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
= |
9 |
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
= |
9 |
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GODS I VOICE |
|
|
|
|
|
|
|
|
|
|
|
|
|
5+4 |
|
1+0 |
|
1+0+8 |
6+3 |
2+7 |
|
|
|
|
|
1+2 |
|
1+8 |
|
|
|
|
|
GODS I VOICE |
|
|
|
|
|
|
|
|
|
|
|
PARADISE
THE
GARDEN OF EDEN
PARADE EYES IN THE GARDEN OF NEED
3 |
THE |
33 |
15 |
6 |
6 |
GARDEN |
49 |
31 |
4 |
2 |
OF |
21 |
12 |
3 |
4 |
EDEN |
28 |
19 |
1 |
15 |
First Total |
|
|
|
1+5 |
Add to Reduce |
1+3+1 |
7+7 |
1+4 |
|
Second Total |
|
14 |
5 |
- |
Reduce to Deduce |
- |
1+4 |
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
10 |
ADAM AND EVE |
70 |
34 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
8 |
PARADISE |
73 |
37 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
6 |
PARADE |
45 |
27 |
9 |
E |
= |
5 |
- |
4 |
EYES |
54 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
6 |
GARDEN |
49 |
31 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
N |
= |
5 |
- |
4 |
NEED |
28 |
19 |
1 |
- |
- |
29 |
|
17 |
First Total |
|
|
|
- |
- |
2+9 |
- |
1+7 |
Add to Reduce |
2+5+3 |
9+1 |
1+9 |
- |
- |
11 |
- |
|
Second Total |
|
|
|
- |
- |
1+1 |
|
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
2 |
|
|
Essence of Number |
|
|
|
4 |
NEED |
28 |
19 |
1 |
4 |
EDEN |
28 |
19 |
1 |
2 |
|
35 |
8 |
|
5 |
|
37 |
28 |
|
2 |
|
21 |
12 |
|
3 |
|
33 |
15 |
|
9 |
|
81 |
54 |
|
|
Add to Reduce |
|
|
|
2+1 |
Reduce to Deduce |
2+0+7 |
1+1+7 |
2+7 |
|
Essence of Number |
|
|
|
5 |
SEIZE |
64 |
28 |
1 |
3 |
THE |
33 |
15 |
6 |
6 |
MOMENT |
80 |
26 |
8 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+7+7 |
6+9 |
1+5 |
|
Second Total |
|
15 |
6 |
- |
Reduce to Deduce |
1+5 |
1+5 |
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
B |
= |
2 |
- |
5 |
BEING |
37 |
28 |
1 |
- |
- |
11 |
|
11 |
First Total |
|
|
|
- |
- |
1+1 |
1 |
1+1 |
Add to Reduce |
9+5 |
5+0 |
- |
- |
- |
2 |
- |
|
Second Total |
|
|
|
- |
- |
- |
|
- |
Reduce to Deduce |
1+4 |
- |
- |
- |
- |
2 |
|
|
Essence of Number |
|
|
|
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
B |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
- |
A |
B |
R |
|
C |
A |
D |
A |
B |
R |
A |
- |
- |
- |
- |
- |
D |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
B |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
A |
|
|
|
|
|
|
|
|
|
A |
|
B |
|
|
|
|
|
|
|
R |
|
|
|
R |
|
|
|
|
|
B |
|
|
|
|
|
A |
|
|
|
A |
|
|
|
|
|
|
|
C |
|
D |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
|
D |
|
|
|
|
|
|
|
A |
|
|
|
A |
|
|
|
|
|
R |
|
|
|
|
|
B |
|
|
|
B |
|
|
|
|
|
|
|
R |
|
A |
|
|
|
|
|
|
|
|
|
A |
What Is Intelligent Design?
Intelligent design refers to a scientific research program as well as a community of scientists, philosophers and other scholars who seek evidence of design in nature. The theory of intelligent design holds that certain features of the universe and of living things are best explained by an intelligent cause, not an undirected process such as natural selection. Through the study and analysis of a system’s components, a design theorist is able to determine whether various natural structures are the product of chance, natural law, intelligent design, or some combination thereof. Such research is conducted by observing the types of information produced when intelligent agents act. Scientists then seek to find objects which have those same types of informational properties which we commonly know come from intelligence. Intelligent design has applied these scientific methods to detect design in irreducibly complex biological structures, the complex and specified information content in DNA, the life-sustaining physical architecture of the universe, and the geologically rapid origin of biological diversity in the fossil record during the Cambrian explosion approximately 530 million years ago.
See the New World Encyclopedia entry on intelligent design.
Is Intelligent Design Creationism?
No. The theory of intelligent design is simply an effort to empirically detect whether the “apparent design” in nature acknowledged by virtually all biologists is genuine design (the product of an intelligent cause) or is simply the product of an undirected process such as natural selection acting on random variations. Creationism typically starts with a religious text and tries to see how the findings of science can be reconciled to it. Intelligent design starts with the empirical evidence of nature and seeks to ascertain what inferences can be drawn from that evidence. Unlike creationism, the scientific theory of intelligent design does not claim that modern biology can identify whether the intelligent cause detected through science is supernatural.
Honest critics of intelligent design acknowledge the difference between intelligent design and creationism. University of Wisconsin historian of science Ronald Numbers is critical of intelligent design, yet according to the Associated Press, he “agrees the creationist label is inaccurate when it comes to the ID [intelligent design] movement.” Why, then, do some Darwinists keep trying to conflate intelligent design with creationism? According to Dr. Numbers, it is because they think such claims are “the easiest way to discredit intelligent design.” In other words, the charge that intelligent design is “creationism” is a rhetorical strategy on the part of Darwinists who wish to delegitimize design theory without actually addressing the merits of its case.
Is Intelligent Design a Scientific Theory?
Yes. The scientific method is commonly described as a four-step process involving observations, hypothesis, experiments, and conclusion. Intelligent design begins with the observation that intelligent agents produce complex and specified information (CSI). Design theorists hypothesize that if a natural object was designed, it will contain high levels of CSI. Scientists then perform experimental tests upon natural objects to determine if they contain complex and specified information. One easily testable form of CSI is irreducible complexity, which can be discovered by experimentally reverse-engineering biological structures to see if they require all of their parts to function. When ID researchers find irreducible complexity in biology, they conclude that such structures were designed.
Education History Philosophy Science
Intelligent Design | The Definitive Source on ID
https://intelligentdesign.org
The theory of intelligent design holds that certain features of the universe and of living things are best explained by an intelligent cause, ...
[ in'tel?j?nt di-'zin ]
The theory of intelligent design holds that certain features of the universe and of living things are best explained by an intelligent cause, not an undirected process such as natural selection.
Introductory Intermediate dvanced
Topics
evolution intelligent design DNA Origin of Life defining intelligent design irreducible complexity natural selection Information Theory darwinism fine-tuning specified complexity scientific method science and religion chemical evolution Complexity biochemistry information information enigma detecting design evidence for intelligent design peer-reviewed teaching evolution mathematics conflict myth Charles Darwin Cambrian Explosion history of intelligent design Icons of Evolution history of science Research RNA Paleontology molecular evolution molecular machines mousetrap methodological naturalism teach the controversy Kitzmiller v. Dover legal issues abiogenesis genetics peppered moths theory of evolution Probability Peer Review biology evidence for evolution bacterial flagellum abductive reasoning purposeful arrangement of parts cell biology textbooks fossils Francis Crick biological complexity taxonomic classification taxonomy worms naturalism demarcation semantics philosophy of science cosmology intentionality inference to the best explanation life sciences materialism scientific progress scientific theories eyes The Origin of Species common ancestry tree of life convergent evolution convergence homology cilium pedagogy Proteins academic freedom William Paley just-so stories origins physics science versus science falsifiability testability Thomas Aquinas Research Program Isaac Newton has-iframe greek philosophy defining evolution Darwinian Evolution aristotle education policy Darwin's finches
I |
= |
9 |
|
11 |
|
127 |
55 |
|
D |
= |
4 |
|
6 |
|
58 |
40 |
|
|
|
13 |
|
|
First Total |
|
|
|
|
|
1+3 |
|
1+7 |
Add to Reduce |
1+8+5 |
9+5 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
2 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
6 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
16 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
17 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
18 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
|
|
|
1+8+5 |
9+5 |
|
|
|
|
|
|
3+0 |
|
1+4 |
|
2+7 |
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
2 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
6 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
16 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
17 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
18 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
|
|
|
1+8+5 |
9+5 |
|
|
|
|
|
|
3+0 |
|
1+4 |
|
2+7 |
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
6 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
2 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
18 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
17 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
16 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
|
|
|
1+8+5 |
9+5 |
|
|
|
|
|
|
3+0 |
|
1+4 |
|
2+7 |
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
= |
1 |
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
= |
2 |
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
= |
2 |
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
= |
3 |
6 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
2 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
18 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
7 |
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
= |
7 |
17 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
= |
9 |
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
= |
9 |
16 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
= |
9 |
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
|
|
|
1+8+5 |
9+5 |
|
|
|
|
|
|
3+0 |
1+4 |
2+7 |
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENT DESIGN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
CREATIVE |
83 |
38 |
2 |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
2+0 |
|
1+9+8 |
9+9 |
- |
2 |
|
|
|
|
- |
|
1+8 |
1+8 |
- |
2 |
|
|
|
|
|
HUMAN INTELLIGENCE |
|
|
|
5 |
HUMAN |
57 |
21 |
3 |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
HUMAN INTELLIGENCE |
|
|
|
1+7 |
|
1+7+2 |
8+2 |
1+0 |
|
HUMAN INTELLIGENCE |
|
|
|
|
|
1+0 |
1+0 |
- |
|
HUMAN INTELLIGENCE |
|
|
|
28 |
EXTRATERRESTRIAL INTELLIGENCE |
|
|
|
16 |
EXTRATERRESTRIAL |
213 |
78 |
6 |
12 |
INTELLIGENCE |
115 |
61 |
7 |
28 |
EXTRATERRESTRIAL INTELLIGENCE |
|
|
|
2+8 |
|
3+2+8 |
1+3+9 |
1+3 |
10 |
EXTRATERRESTRIAL INTELLIGENCE |
|
|
|
1+0 |
|
1+3 |
|
|
|
EXTRATERRESTRIAL INTELLIGENCE |
|
|
|
C |
= |
3 |
|
8 |
|
85 |
40 |
|
R |
= |
9 |
|
8 |
|
85 |
40 |
|
|
|
12 |
|
|
Add to Reduce |
|
|
|
|
|
1+2 |
|
1+6 |
Reduce to Deduce |
1+7+0 |
8+0 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
1 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
- |
40 |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
12 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
14 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATION REACTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+0 |
|
|
|
1+7+0 |
8+0 |
8+0 |
|
|
|
|
|
2+0 |
1+2 |
|
|
3+6 |
|
|
|
|
|
REACTION CREATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
1 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
12 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
14 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATION REACTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+0 |
|
|
|
1+7+0 |
8+0 |
8+0 |
|
|
|
|
|
2+0 |
1+2 |
|
|
3+6 |
|
|
|
|
|
REACTION CREATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
1 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
12 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
14 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATION REACTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+0 |
|
|
|
1+7+0 |
8+0 |
8+0 |
|
|
|
|
|
2+0 |
1+2 |
|
|
3+6 |
|
|
|
|
|
REACTION CREATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
= |
1 |
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
= |
2 |
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
= |
3 |
1 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
= |
3 |
12 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
= |
6 |
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
= |
9 |
14 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATION REACTION |
|
|
|
|
|
|
|
|
|
|
|
|
8+0 |
|
|
|
1+7+0 |
8+0 |
8+0 |
|
|
|
|
2+0 |
1+2 |
3+6 |
|
|
|
|
|
REACTION CREATION |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
8 |
|
85 |
40 |
|
R |
= |
9 |
|
8 |
|
85 |
40 |
|
|
|
12 |
|
|
Add to Reduce |
|
|
|
|
|
1+2 |
|
1+6 |
Reduce to Deduce |
1+7+0 |
8+0 |
|
|
|
|
|
|
Essence of Number |
|
|
|
CREATIONS REACTIONS
C |
= |
3 |
|
9 |
|
104 |
50 |
|
R |
= |
9 |
|
9 |
|
104 |
50 |
|
|
|
12 |
|
|
First Total |
|
|
|
|
|
1+2 |
|
1+8 |
Add to Reduce |
2+0+8 |
1+0+0 |
1+0 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
1 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
- |
41 |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
9 |
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
12 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
13 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
14 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
15 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
16 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
18 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATIONS REACTIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
|
|
|
2+0+8 |
1+0+0 |
8+2 |
|
|
|
|
|
2+0 |
1+2 |
|
|
3+6 |
|
|
|
|
|
REACTIONS CREATIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATIONS REACTIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
9 |
|
104 |
50 |
|
R |
= |
9 |
|
9 |
|
104 |
50 |
|
|
|
12 |
|
|
First Total |
|
|
|
|
|
1+2 |
|
1+8 |
Add to Reduce |
2+0+8 |
1+0+0 |
1+0 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
1 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
12 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
13 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
14 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
15 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
16 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
18 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATIONS REACTIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
|
|
|
2+0+8 |
1+0+0 |
8+2 |
|
|
|
|
|
2+0 |
1+2 |
|
|
3+6 |
|
|
|
|
|
REACTIONS CREATIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATIONS REACTIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
12 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
18 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
14 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
1 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
13 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
16 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
15 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATIONS REACTIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
|
|
|
2+0+8 |
1+0+0 |
8+2 |
|
|
|
|
|
2+0 |
1+2 |
|
|
3+6 |
|
|
|
|
|
REACTIONS CREATIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATIONS REACTIONS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
= |
1 |
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
= |
1 |
12 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
= |
1 |
18 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
= |
2 |
14 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
= |
3 |
1 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
= |
3 |
13 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
= |
6 |
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
= |
6 |
16 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
= |
9 |
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
= |
9 |
15 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
CREATIONS REACTIONS |
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
|
|
|
2+0+8 |
1+0+0 |
8+2 |
|
|
|
|
2+0 |
1+2 |
3+6 |
|
|
|
|
|
REACTIONS CREATIONS |
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
CREATIONS REACTIONS |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
9 |
|
104 |
50 |
|
R |
= |
9 |
|
9 |
|
104 |
50 |
|
|
|
12 |
|
|
First Total |
|
|
|
|
|
1+2 |
|
1+8 |
Add to Reduce |
2+0+8 |
1+0+0 |
1+0 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
- |
- |
- |
- |
THE CODING |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
6 |
|
52 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
15 |
|
- |
|
33 |
15 |
15 |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
3 |
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
9 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
34 |
|
- |
THE CODING |
52 |
34 |
34 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
6 |
|
52 |
34 |
|
|
|
|
|
|
1+0 |
|
|
|
|
|
- |
5 |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8+5 |
4+9 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODING |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1+3 |
1+3 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODING |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
THE CODING |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
6 |
|
52 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
9 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
6 |
|
52 |
34 |
|
|
|
|
|
|
1+0 |
|
|
|
|
|
- |
5 |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8+5 |
4+9 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODING |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1+3 |
1+3 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODING |
|
|
|
|
|
|
|
|
|
|
|
|
|
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
THE CODING |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
6 |
|
52 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
9 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
6 |
|
52 |
34 |
|
|
|
|
|
|
1+0 |
|
|
|
|
|
- |
5 |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8+5 |
4+9 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODING |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1+3 |
1+3 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODING |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
THE CODING |
- |
- |
- |
T |
= |
2 |
|
3 |
|
33 |
15 |
|
C |
= |
3 |
|
6 |
|
52 |
34 |
|
|
- |
5 |
- |
9 |
|
|
|
|
|
|
|
|
|
- |
8+5 |
4+9 |
1+3 |
|
|
|
|
|
THE CODING |
|
|
|
|
|
|
|
|
- |
1+3 |
1+3 |
- |
|
|
|
|
|
THE CODING |
|
|
|
THE CODEBREAKER
|
- |
- |
- |
- |
THE CODEBREAKER |
- |
- |
- |
T |
= |
2 |
|
3 |
|
33 |
15 |
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
1+4 |
- |
1+2+0 |
6+6 |
1+6 |
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
- |
- |
1+6 |
- |
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
- |
- |
- |
- |
THE CODEBREAKER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
15 |
|
- |
|
33 |
15 |
15 |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
3 |
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
7 |
1 |
|
E |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
8 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
E |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
12 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
51 |
|
- |
THE CODEBREAKER |
87 |
51 |
51 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
|
|
|
|
2+0 |
|
|
|
1+8 |
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
- |
1+2+0 |
6+6 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
THE CODEBREAKER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
7 |
1 |
|
E |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
8 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
E |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
12 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
51 |
|
- |
THE CODEBREAKER |
87 |
51 |
51 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
|
|
|
|
2+0 |
|
|
|
1+8 |
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
- |
1+2+0 |
6+6 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
THE CODEBREAKER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
8 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
12 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
7 |
1 |
|
E |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
E |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
51 |
|
- |
THE CODEBREAKER |
87 |
51 |
51 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
|
|
|
|
2+0 |
|
|
|
1+8 |
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
- |
1+2+0 |
6+6 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
THE SO EVEN SEVEN
|
- |
- |
- |
- |
THE CODEBREAKER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
8 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
12 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
7 |
1 |
|
E |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
E |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
51 |
|
- |
THE CODEBREAKER |
87 |
51 |
51 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
11 |
|
87 |
51 |
|
|
|
|
|
|
2+0 |
|
|
|
1+8 |
|
- |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
- |
1+2+0 |
6+6 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CODEBREAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
THE INDEPENDENT MAGAZINE
Wednesday 11 September 2013
Mysteries of the snowflake: The curious world of the ice-crystal experts.
Inevitably, though, the most common question is, how can Libbrecht be so sure no two snowflakes are ever identical? He likes to tell people that physics has a Zen-like answer, “which is that it depends largely on what you mean by the question. The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf, then the number of ways of making a complex snowflake is so staggeringly large that, over the history of our planet, I’m confident no two identical flakes have ever fallen. The long answer is more involved – depending on what you mean by ‘alike’ and ‘snowflake’. There could be some extremely small, simple-shaped crystals that looked so alike under a microscope as to be indistinguishable – and if you sifted through enough Arctic snow, where these simple crystals are common, you could probably find a few twins.”
"The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf,"
SORT OUT THE WHEAT FROM THE CHAFF
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
"LIFE OUT THERE"
4 |
LIFE |
32 |
23 |
5 |
3 |
OUT |
56 |
11 |
2 |
5 |
THERE |
56 |
29 |
2 |
|
Add to Reduce |
|
|
9 |
1+2 |
Reduce to Deduce |
1+4+4 |
6+3 |
|
|
Essence of Number |
|
|
|
"SIGNALS FROM BEYOND"
7 |
SIGNALS |
81 |
27 |
9 |
4 |
FROM |
52 |
25 |
7 |
6 |
BEYOND |
65 |
29 |
2 |
|
First Total |
|
|
|
1+7 |
Add to Reduce |
1+9+8 |
8+1 |
4+5 |
8 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
DAILY MAIL
Friday, August 15, 2008
Ephraim Hardcastle
Page 19
"Oh, wad some power the gift to gie us/ To see oursels as others see us"
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
82 |
28 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
6 |
|
76 |
40 |
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
6 |
|
76 |
40 |
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
|
First Total |
|
|
|
|
|
5+5 |
3+4 |
Add to Reduce |
4+1+4 |
1+9+8 |
2+7 |
|
|
|
|
Second Total |
|
|
|
|
|
1+0 |
|
Reduce to Deduce |
- |
1+8 |
|
|
|
|
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
P |
= |
|
|
5 |
POWER |
77 |
32 |
5 |
A |
= |
|
|
3 |
AND |
19 |
10 |
1 |
|
= |
|
|
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
5 |
GLORY |
77 |
32 |
5 |
|
= |
19 |
|
19 |
First Total |
239 |
104 |
23 |
|
|
1+9 |
|
1+9 |
Add to Reduce |
2+3+9 |
1+0+4 |
1+9 |
|
|
10 |
|
10 |
Second Total |
14 |
10 |
10 |
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
1+4 |
1+0 |
1+0 |
|
|
1 |
|
1 |
Essence of Number |
5 |
1 |
1 |
4 |
|
48 |
21 |
|
4 |
|
48 |
21 |
|
|
First Total |
|
|
|
- |
Add to Reduce |
9+6 |
4+2 |
- |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+5 |
- |
|
|
Essence of Number |
|
|
|
5 |
|
52 |
25 |
|
5 |
|
52 |
25 |
|
|
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+0+4 |
5+0 |
1+4 |
|
Essence of Number |
|
|
|
THE FATEFUL ENCOUNTER
- |
CODE |
- |
- |
|
|
CO |
18 |
9 |
|
|
DE |
9 |
9 |
|
4 |
|
27 |
18 |
18 |
- |
|
2+7 |
1+8 |
1+8 |
4 |
|
9 |
9 |
9 |
HAMLET'S MILL
AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE
AND ITS TRANSMISSION THROUGH MYTH
Giorgio De Santillana and Hertha Von Dechend 1969
Page 162
"Finally, there is one remarkable and disturbing coincidence from the same direction. It is known that in the final battle of the gods, the massed legions on the side of "order" are the dead warriors, the "Einherier" who once fell in combat on earth and who have been transferred by the Valkyries to reside with Odin in Valhalla-a theme much rehearsed in heroic poetry. On the last day, they issue forth to battle in martial array. Says the Grimnismal (23): "Five hundred gates and forty more-are in the mighty building of Walhalla-eight hundred 'Einherier' come out of each one gate-on the time they go out on defence against the Wolf."
That makes 432,000 in all, a number of significance from of old.
This number must have had a very ancient meaning, for it is also the number of syllables in the Rigveda. But it goes back to the basic figure 10,800, the number of stanzas in the Rigveda (40 syllables to a stanza) which, together with 108, occurs insistently in Indian tradition. 10,800 is also the number which has been given by Heraclitus for the duration of the Aion, according to Censorinus (De die natali 18), whereas Berossos made the Babylonian Great Year to last 432,000 years. Again, 10,800 is the number of bricks of the Indian fire-altar (Agnicayana). 32
"To quibble away such a coincidence," remarks Schroder, "or to ascribe it to chance, is in my opinion to drive skepticism beyond its limits."33 Shall one add Angkor to the list? It has five gates, and to each of them leads a road, bridging over that water ditch which surrounds the whole place. Each of these roads is bordered by a row of huge stone figures, 108 per avenue, 54 on each side, altogether 540 statues of Deva and Asura, and each row carries a huge Naga / Page 163 / serpent with nine heads. Only, they do not "carry" that serpent, they are shown to "pull" it, which indicates that these 540 statues are churning the Milky Ocean, represented (poorly, indeed) by the water ditch,34 using Mount Mandara as a churning staff, and Vasuki, the prince of the Nagas, as their drilling rope. (Just to prevent misunderstanding: Vasuki had been asked before, and had agreeably consented, and so had Vishnu's tortoise avatar, who was going to serve as the fixed base for that "incomparably mighty churn," and even the Milky Ocean itself had made it clear that it was willing to be churned.) The whole of Angkor thus turns out to be a colossal model set up for "alternative motion" with true Hindu fantasy and incongruousness to counter the idea of a continuous one-way Precession from west to east."
www.bibliotecapleyades.net/hamlets_mill/hamlet
HAMLET'S MILL
AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE
AND ITS TRANSMISSION THROUGH MYTH
Giorgio De Santillana and Hertha Von Dechend 1969
CHAPTER X
The Twilight of the Gods
"Egyptian Book of the Dead, Osiris speaking:
"Hail, Thot! What is it that hath happened to the divine children of Nut? They have done battle, they have upheld strife, they have made slaughter, they have caused trouble: in truth, in all their doing the mighty have worked against the weak. Grant, O might of Thot, that that which the God Atum hath decreed (may be accomplished)! And thou regardest not evil nor art thou provoked to anger when they bring their years to confusion and throng in and push to disturb their months; for in all that they have done unto thee, they have worked iniquity in secret!" [n1 Chapter 175, 1-8, W. Budge trans. The italics are ours.].
Thot is the god of science and wisdom; as for Atum, he precedes, so to speak, the divine hierarchy."
The fateful encounter hypothesis which is what is most commonly accepted is that it was solely by chance that a single mitochondria was taken up by a single ancient bacterial cell that then divided together to give each daughter cell a mitochondria of its own.27 Oct 2014
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
THE FATEFUL ENCOUNTER |
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
7 |
THE FATEFUL ENCOUNTER |
71 |
26 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
|
9 |
THE FATEFUL ENCOUNTER |
115 |
43 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
12 |
|
30 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
1+2 |
|
3+0 |
1+8 |
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
12 |
|
30 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
1+2 |
|
3+0 |
1+8 |
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED INTO NUMERICAL ORDER
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
12 |
|
30 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
1+2 |
|
3+0 |
1+8 |
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
12 |
30 |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
1+2 |
3+0 |
1+8 |
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
|
|
|
|
|
|
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
What is the Fateful encounter hypothesis? - Quora
The fateful encounter is an earlier more arbitrary term of what biologist now calls the Microbial Eve or the Last Universal Common Ancestor (LUCA).
2 answers · Top answer: If refer to the chance event that led to ‘start of evolution’.
The fateful encounter of mitochondria with calcium - PubMed
https://pubmed.ncbi.nlm.nih.gov › ...
by E Carafoli · 2010 · Cited by 117 — The fateful encounter of mitochondria with calcium: how did it happen? Biochim Biophys Acta. Jun-Jul 2010;1797(6-7):595-606. doi: ...
Fateful encounter definition and meaning - Collins Dictionary
https://www.collinsdictionary.com › dictionary › english
Fateful encounter definition: An encounter with someone is a meeting with them, particularly one that is unexpected or... | Meaning, pronunciation ...
However, the 'fateful encounter' needed to create intelligent life from two simple life forms vastly reduces the odds of any extraterrestrial squeezing its way through this evolutionary bottleneck.
Times, Sunday Times
fateful encounter
encounter an obstacle
encounter frequently
encounter opposition
encounter resistance
face-to-face encounter
fateful encounter
memorable encounter
personal encounter
random encounter
romantic encounter
strange encounter
subsequent encounter
survive an encounter
unexpected encounter
LOVELESS HEARTS SHALL LOVE
TOMORROW, HEARTS THAT HAVE
LOVED SHALL LOVE ANEW,
SPRING IS YOUNG NOW, SPRING
IS SINGING, IN THE SPRING
THE WORLD FIRST GREW.
Anonymous – Latin about 4th century
4 |
LIVE |
48 |
21 |
3 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
4 |
LOVE |
54 |
18 |
9 |
10 |
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+2+6 |
5+4 |
2+7 |
|
Essence of Number |
|
|
|
|
LOVE |
|
|
- |
2 |
L+O |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
4 |
LOVE |
|
|
|
|
- |
5+4 |
1+8 |
1+8 |
4 |
LOVE |
|
|
|
4 |
|
54 |
18 |
|
6 |
|
81 |
27 |
|
10 |
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+3+5 |
4+5 |
1+8 |
|
|
|
|
|
- |
LOVE EVOLVE LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
14 |
LOVE EVOLVE LOVE |
|
|
|
1+4 |
- |
1+8+9 |
6+3 |
6+3 |
|
|
|
|
|
- |
- |
1+8 |
- |
- |
|
|
|
|
|
- |
LOVE EVOLVE LOVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
LOVE |
- |
- |
- |
- |
EVOLVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
EVOLVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
LOVE |
- |
- |
- |
14 |
LOVE EVOLVE LOVE |
|
|
|
1+4 |
- |
1+8+9 |
4+5 |
4+5 |
|
|
|
|
|
- |
- |
1+8 |
- |
- |
|
|
|
|
|
EVOLVE LOVE EVOLVE
- |
|
|
- |
- |
|
L+O |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
|
LOVE |
|
|
|
- |
|
5+4 |
1+8 |
1+8 |
|
LOVE |
|
|
|
- |
|
|
- |
- |
- |
|
|
- |
- |
- |
EVOLVE |
|
|
|
|
E+V |
27 |
9 |
9 |
|
O+L |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
|
EVOLVE |
|
|
|
- |
|
8+1 |
2+7 |
2+7 |
|
EVOLVE |
|
|
|
EVOLVE LOVE EVOLVE
THE
PROPHET
Kahil Gibran
Page 82/83/84/85/86
"If these be vague words, then seek not to clear them.
Vague and nebulous is the beginning of all things, but not their end,
And I would have you remember me as a beginning.
Life, and all that lives, is conceived in the mist and not in the crystal.
And who knows but a crystal is mist in decay
This would I have you remember in remembering me:
That which seems most feeble and bewildered in you is the strongest and most determined.
Is it not your breath that has erected and hardened the structure of your bones?
And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it?
Could you but see the tides of that breath you would cease to see all else,
And if you could hear the whispering of the dream you would hear no other sound.
But you do not see, nor do you here, and it is well.
The veil that clouds your eyes shall be lifted by the hands that wove it,
And the clay that fills your ears shall be pierced by those fingers that kneaded it.
And you shall see
And you shall hear.
Yet you shall not deplore having known blindness, nor regret having been deaf
For in that day you shall know the hidden purposes in all things,
And you shall bless darkness as you would bless light.
After saying these things he looked about him,
and he saw the pilot of his ship standing by the helm
and gazing now at the full sails and now at the distance.
And he said:
Patient, over patient, is the captain of my ship.
The wind blows, and restless are the sails;
Even the rudder begs direction;
Yet quietly my captain awaits my silence.
And these my mariners, who have heard the
choir of the greater sea, they too have heard me
patiently.
Now they shall wait no longer.
I am ready
The stream has reached the sea, and once more
THE GREAT MOTHER
holds her son against her breast.
Fare you well, people of Orphalese.
This day has ended.
It is closing upon us even as the water-lily upon its own tomorrow.
What was given us here we shall keep,
And if it suffices not, then again must we come together and together
stretch our hands unto the giver.
Forget not that I shall come back to you.
A little while, and my longing shall gather dust and foam for another body.
A little while, a moment of rest upon the wind, and another woman shall bear me.
Farewell to you and the youth I have spent with you.
It was but yesterday we met in a dream.
You have sung to me in my aloneness, and I of your longings have built a tower in the sky.
But now our sleep has fled and our dream is over, and it is no longer dawn.
The noontide is upon us and our half waking has turned to fuller day, and we must part.
If in the twilight of memory we should meet once more,
we shall speak again together and you shall sing to me a deeper song.
and if our hands should meet in another dream we shall build another tower in the sky.
So saying he made a signal to the seamen,
and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.
And a cry came from the people as from a single heart,
and it rose into the dusk and was carried out over the sea like a great trumpeting.
Only Almitra was silent, gazing after the ship until it had vanished into the mist.
And when all the people were dispersed she still stood alone upon the sea-wall,
remembering in her heart his saying:
A little while, a moment of rest upon the wind, and another woman shall bear me.'
THE LURE AND ROMANCE OF ALCHEMY.
A history of the secret link between magic and science
1990
C. J. S.Thompson
Page# 31 / 32
note 1 Julius Ruska ,Tabula Smaragdini 1926
"THE EMERALD TABLE OF HERMES: "
"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
http://www.youtube.com/watch?v=w9aYrHzEW-w